Iconology and its representations in theatrical performance techniques Ali Al-Shaibani as a model

Abstract

The current research aims to know iconology and its representations in theatrical presentation techniques, as well as study it in terms of concept, origin, and its development among international and Arab directors, as well as the mechanisms of the iconological approach adopted by the director to understand his theatrical performances. Through it, it is possible to stand on the intellectual and symbolic dimensions of the image formed in theatrical performances that carry several interpretations and dimensions with multiple and different connotations in their dimensions.